Before you begin recording and mixing your message, sound, masking or brainwave tracks, it is important that you adopt standards with respect to their characteristics. Each component should be digitally recorded in the same manner so that it is easier to mix your final recording and reuse them in future recordings. This article discusses these issues in detail and explains why this is to your advantage.

Regardless of what method you use to create or mix the different audio clips needed for your recording, each has certain attributes relating to the digital audio file type, sample size, number of channels and the sampling rate. Even if a recorded audio clip was not recorded digitally, it will have to be converted to digital and the same characteristics should be used.

Why Use Standard Characteristics?

It requires effort on your part to create each audio component and mix them together so that you end up with the type of recording desired. By adopting standards you will exert less effort in creating your recordings. The reason for this is it will not be necessary to convert each one into a common format before mixing them.

An advantage you gain by doing this is time and the disadvantage is that it may require additional storage space. Given a choice between the two, and the continuing reduction in the cost of memory and disk storage devices, it is more cost effective to adopt a standard format for your recording components.

There is another benefit in that when you decide to reuse an existing audio component, such as a message clip or brainwave track, you will not need to convert it before using it in a new recording.

Audio File Recording Format

There are different file formats that can store digital audio clips, but the suggested one to use is the WAV format. This represents audio that is stored in an uncompressed digital format and is widely accepted.

Storing your recorded or generated audio segments in a compressed format such as MP3 is not initially recommended. This should only be done after the final recording is built and only after careful consideration as to compression quality issues.

A WAV file is a digital representation of the audio clip, but an MP3, OGG or other compressed format is actually a data file that describes to a digital player how to play the file. They are completely different and any compressed file will have to be converted back into WAV or another format in order for mixing.

Also, a WAV file retains the original audio characteristics of the clip, whereas a compressed version sounding virtually identical can result in a loss of audio information. Each time you mix or combine different audio clips for your final recording, using compressed versions of them means that you are could be reducing the desired effect of your recording.

Using the WAV audio file type for all of your initial and intermediate recording components almost guarantees that the subliminal messages will be audible, and at the desired low level of volume. If you were to compress each of your audio segments, then it is possible that you could lose some quality with respect to the subliminal messages as you progressively mixed the audio components together.

Digital Sampling Rates and Sample Size

A standard music CD or Compact Disc is a digital representation of the original and attempts to reproduce it in the best way. This is done by sampling the original analog recording at extremely frequent intervals and converting those samples into numbers that a computer sound processor can understand and reproduce.

In order to achieve the best sounding digital recording, both the number of times per second the recording is sampled and the size of the sample are important. For a CD recording, the sample rate is 44,100 times per second (44.1 KHz) and each sample represents a number. That number can have approximately 64,000 different values and is stored as a 16 digit binary number.

It is suggested that you use the same sample rate and sample size when creating each of your recording audio segments. This will prevent any loss of quality as you progress to mixing your final recording.

Even though it may seem to be inefficient to store your recording segments using these attributes, it is likely to your benefit. The additional sound, masking or even brainwave audio tracks must be recorded at a high standard. Since you will have to eventually mix all of these components together, adopting a standard format will save you time.

Using Mono or Stereo

It is tempting to record or generate all your message, masking, sound or brainwave tracks using either one or two sound channels, but this depends on the nature of the individual recording component.

Using both left and right channels for any audio segment of your recording means that it will require double the amount of storage space. Only certain tracks or mixtures of them should be built in stereo.

For audio message clips, it is suggested that they be created only using one track. The reason for doing this is that they may be later mixed in different manners for another recording. You may choose to build an audio message segment using both left and right channels for one of your recordings.

If recorded in mono, then you can easily later combine them in any way desired, but if they were in stereo, then you would have to separate them. Doing this would only add additional effort to what you want to accomplish. The secondary advantage is that mono recording segments use only half as much storage as stereo audio segments.

To summarize, using a standard set of characteristics when creating your subliminal, supraliminal or paraliminal recordings will save you time and reduce any effort involved in converting between different audio formats. It will also enable you to reuse any of the audio clips that you have already created and may desire to use in creating a new recording.

The standards you may wish to adopt when creating your recording components are suggested as follows:

• Record basic and intermediate audio segments in the WAV format
• Suggested digital sample size should be 16-bits
• The preferred sample frequency is 44,100 Hz.
• Basic audio message segments should be recorded in mono

Following these suggestions should only help you to create better recordings, but more importantly to save storage space and to organize your audio recording components more efficiently.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as online dating, paternity issues or insurance. Visit one of his newer website creations relating to pet insurance at http://petcarehealthinsurance.com/ which helps people select among the many Pet Insurance Companies available.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

There are different ways to acquire suitable sound clips to use in a building a masking or accompanying sound track for your subliminal, supraliminal or paraliminal recording. One option is to download them from various Internet web sites for free or perhaps at some cost. This article discusses what features to look for in an acceptable sound clip and should be reviewed before deciding on any particular one.

The preferred features of an acceptable sound clip are grouped into the following categories and each is discussed below:

•  Type of Sounds Provided
•  Costs Involved
•  Recording Characteristics
•  Audio Format
•  Absence of Embedded Messages

Generally, many of the sound segments available have been created using nature sounds. Audio clips of this type are highly recommended, since nature sounds are normally very relaxing to most people. Examples of this could present ocean waves, rainfalls, waterfalls, birds or insects or various other types of sounds.

Other possible types include chimes, bells, classical music, rhythmic chanting, or a range of other themes. As long as the recorded sound clip is relaxing and soothing, then it is most likely acceptable.

By this it is meant that there should not be any extreme high or low volume levels in the recording and that it should sound reasonably consistent. The goal is to seek out a pre-recorded audio clip that would not upset the listener in any way and promotes a more relaxed physical and mental state.

Any personal preferences you may have regarding the type of sounds presented in the audio clip should be put aside if you are creating recordings for other people. As a recording creator, it is far more important that you consider what the potential listener would prefer to hear.

But if you are creating recordings primarily for your own use, then you should of course choose what is most suitable for you. As long as the sound clip is soothing, calm and relaxing, then you have likely made the right choice. Even so, it is suggested that you remember that what is acceptable to you may not be to others.

Costs Involved

You may choose to download free audio sound clips, but you should be extremely careful in how you select them. Most are usually short in length and not recorded in high quality. But it is possible that you could find an acceptable free pre-recorded audio segment of reasonable quality, if you are patient and willing to search for them.

There are also many sound clips available if you are willing to pay the cost of obtaining them. These can vary greatly in price but there is no reason to purchase an entire collection of relaxing nature sounds if you only require a few audio clips.

Another important consideration is whether there are royalty fees charged if you decided to purchase the sound clips and use them in building your masking or sound tracks. Ideally, there should be no charge for doing so, and consequently it is extremely important that you recognize this before spending any money.

Recording Characteristics

Whether purchased or free of charge, the recorded clips should have certain physical characteristics. This relates to the sampling frequency, the sample size, number of channels, and the recording format. It is assumed that the recorded clip has been created in a digital manner.

The sampling frequency can vary greatly, but the preferred choice is 44,100 Hz. Although sound clips can be created at a lower frequency, anything below 16,000 Hz is likely unacceptable.

The sample size is also important in that a 16-bit sample rate provides greater listening quality than an 8-bit sampling rate. A recording that uses an 8-bit sample rate is approximately of the same quality as a telephone conversation. One that is encoded using 16-bit sample rate simply sounds better and this is preferred.

Selecting an audio sound clip that has been recorded with two channels (left and right) is a better choice than a mono recording. Although twice as large in size, the recording may sound better with two different channels and be more interesting to the listener.

Audio Format

Although there are various audio formats available, any one chosen should be uncompressed and have been recorded digitally. The preferred type is a recording clip that has been saved in the WAV format.

Recordings in the WAV format are uncompressed but still in a digital format. Obtaining any type of sound clips that have already been compressed into an MP3, OGG or other type can make it more difficult to mix audio tracks in the final recording.

It is possible to compress recording components when building and mixing the final subliminal, supraliminal or paraliminal recording, but this is not recommended. The best time to apply audio compression techniques is after the recording has been finally mixed.

However, if you decide to obtain a recorded audio sound clip in a compressed format (e.g. MP3, OGG), it will have to be decompressed in order to mix it with other aspects of your final recording. This can be reasonably easy to do with the proper audio mixing software, but should be avoided if possible.

Absence of Embedded Messages

No matter where the audio sound segments are obtained from, they must not contain embedded subliminal messages. If they do, then this can affect the final recording and its ability to help the listener.

If you choose to purchase a sound clip or track, it is unlikely that it will contain any embedded subliminal messages. However, if you download one at no cost then you should consider it possible that subliminal messages may have been planted in the recorded clip.

There is a technique to discover if embedded messages exist in a recording, but a full explanation is left to a different article. The simplest way to detect this is to simply play the sound clip at a higher volume level and listen carefully.

To summarize, there are various choices available with respect to selecting a pre-recorded sound clip. You can download either free or not so free sound clips that can be used in building a masking or sound track.

As long as you cautious and observe these guidelines, it should be more than possible to find an audio sound clip that meets your needs. There are other options available such as recording or generating your own sound tracks, but these are left to other articles.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as online dating, paternity issues or insurance. Visit one of his websites relating to paternity testing at http://www.paternitytestinfo.net which provides help in confirming family genetic history and getting Home Testing kits for DNA.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

Each different recording type (subliminal, supraliminal, paraliminal) requires the use of a sound track. The purpose of this track is either to mask subliminal messages, promote a state of relaxation or ideally, both. Since this is the track that is usually most predominant in a recording, it is important to know how to create or select one in the best way possible. This article discusses what options are available and provides general suggestions to help you choose.

There are two basic ways to consider a masking or sound track. The first is from the listener’s perspective, and the second from the creator’s perspective. Since you are the creator of the recording, it is vital that you understand both what a potential listener prefers, as well as what your own requirements are for a masking or sound track.

What the Listener Expects

The listener obviously expects that the recording will be of a high quality and be effective. They are not concerned with the details of how it was created, but they will expect the masking or sound track that they hear be relaxing, soothing and appeal to them.

This means that as a recording creator, you must ensure that you meet these requirements. Unfortunately, what is relaxing, soothing and appealing to one person may be completely different for another person.

For example, the gentle sounds of ocean waves lapping onto the seashore with birds chirping in the background may be soothing to some, but may trigger a negative reaction in others.

Similarly, listening to the sounds of insects for an extended period may be quite unpleasant for certain individuals. To a lesser degree, classical music without vocals may simply sound uninteresting to some people.

The solution is to provide as wide a variety of masking or sound tracks as possible so that they appeal to the majority of the potential listeners. As simple as this may seem, it can difficult to do in practice. This is the point where the requirements of the listener meet yours, as a creator.

What You, the Recording Creator Desires

Being a creator of subliminal or other recording types, your preferences with respect to creating or selecting a masking or sound track are different than that of the listener. The most important of these are as follows:

• Provide the fewest number of masking or sound tracks possible
• Appeal to the largest number of listeners possible
• Whether obtaining or generating sound tracks, be of low cost

Can you provide only a small number of masking or sound tracks and still have your potential listeners find them appealing? Yes, but you must select a core group that has been found to be acceptable to most people. The majority of people find nature sounds or gentle classical music to be soothing, relaxing and appealing.

Within the category of nature sounds, there are the sounds of ocean waves, rainfalls, waterfalls, rivers, brooks, wind, a crackling campfire and many others. It is suggested that you consider providing two or more different types that sound consistent, such as ocean waves and perhaps a gentle rainfall.

Secondary Sound Tracks

But even though these are good choices, a secondary sound track should be mixed with them. The reason for this is to provide random sounds that render the track more interesting to the ear. A suggestion is to include additional nature sounds such as different types of birds or insects. Relaxing and soothing is important, but there is no reason for the sound track to seem so consistent that it becomes boring to listen to.

If you were to choose two primary types of nature and two secondary types, then after mixing, you would have four available selections for use as your sound or masking track. This should be your minimum core group to use, but if you increase the number of primary or secondary sound types, it becomes more difficult to manage and you should not exceed eight. Keep in mind that this is only the sound or masking track, and you still need to create and manage message and brainwave tracks (if used).

Classical music sound tracks are also appealing but it is important that you choose those that are not overly dynamic. By this it is meant that there should be few high and lows and the general sound and tempo is consistent. A soft and gentle concerto by Beethoven or Bach is acceptable, but the 1812 Overture by Tchaikovsky is far too dynamic.

Also, if you choose to use classical music for your sound or masking tracks, there is no reason to mix them with a secondary track containing random sounds of nature. The reason for this is that most classical music tracks are already reasonably consistent yet still sound interesting.

Sound Track Sources

As a recording creator, you also need to decide whether to obtain your sound or masking tracks from other sources, generate your own with software programs, record them yourself or perhaps a mixture of all three.

If you choose to obtain free sound clips or pay for pre-recorded sound tracks, you must be cautious in how you select them. Many available relate to nature sounds and those that are free are usually very short in length and of poor quality. It is highly recommended that you do not use free short audio clips in your sound or masking track because of this.

Although usually limited to nature sounds, another option is to obtain software that can generate sound or masking tracks of any length that you can customize in virtually an infinite number of ways. The advantages to this is that the generated sound track will be exactly what you design it to be, involve no royalty fees, be of high quality, and never have embedded subliminal messages.

You may also select to record your own sound tracks but this can be somewhat of a challenge. It requires the correct environment, good recording equipment and some patience. If you have these, then recording your own sound tracks may be worth the effort.

Whether it involves nature sounds or classical music, the sound or masking track that you incorporate into your subliminal, supraliminal or paraliminal recording should be acceptable to your potential listener and be within the limits of your resources as a creator.

You also need to decide if it is best to record your own sound tracks, use prerecorded ones or use software to generate them. Striving for a balance between what options you provide your listeners with and what is manageable for you should be your goal.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as online dating, paternity issues or insurance. Visit one of his newer website creations relating to pet insurance at http://petcarehealthinsurance.com/ which helps people select among the many Pet Insurance Companies available.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

Designing and writing the perfect message script for your recording is one of the first steps you must take in order to create a great subliminal, supraliminal or paraliminal recording. But after this is done, you need to decide whether to record it yourself, have someone else record it for you, or have the audio messages generated by a computer program. This article discusses the advantages and disadvantages in choosing any one of these.

Deciding on how to build your audio message tracks can sometimes be difficult because you need to choose which of the available methods is best for you. What may be suitable for one person may be completely unacceptable to another. There are other considerations about each technique that you should be aware of before you decide and these are discussed in detail.

Recording Messages

Before considering recording your own message tracks, there are a few questions that you should first ask yourself. These are:

• Do you want to Record your Own Voice?
• Do you Like the Sound of your Voice?
• Do you Know Someone with a Great Voice?
• Do you have the Equipment Needed to Record Messages?

These may seem to be obvious questions to which you likely already know the answers, but they are still important. Firstly, if you have definitely decided to not record your own voice in any manner, then you may wish to skip the next few paragraphs.

Many people have never heard their own voice recorded and played back to them. In some cases, they become surprised that their voice sounded the way it did. This may not always be in an acceptable manner and some may simply consider that they do not like their voice and presume that no one else will.

You should not discount your ability in recording your own voice and should at least consider it possible that your voice sounds acceptable, even if at first you doubt this. Record a message script with your own voice and perhaps have a friend do the same. Compare each of them and decide objectively which would likely sound better to a potential listener.

Once you decide that your voice, or that of a friend is satisfactory, then you will need to determine if you have the proper equipment to record your message script properly.

You do not require a computer to do this and any type of personal recording device is likely acceptable. More important is the manner in which you create the recording. Preferably, the recording should be made in a quiet environment so that background sounds are at a minimum.

There are considerations with respect to recording your own messages such as the volume level of your spoken voice, the speed at which you speak and the emotional overtones you use.

You should record you messages as if you were speaking to a child, and in a constant, gentle spoken voice without any emotional overtones. The subconscious mind should always be addressed in this manner because it is incapable of understanding anything beyond simple concepts.

Remember also that your message script will likely only be a few dozen statements and should only take about five minutes to record. Even if takes a few attempts to complete it, it is worth the effort and you will likely become better at it the more you experiment.

The device you use to record should be capable of storing the audio clip as a WAV file and most portable voice recorders and your own personal computer are capable of doing this. Suggested settings for the file are to use a 16-bit sample rate, mono and a sampling rate of 44,100 Hertz. If this is not convenient, the file can almost always be converted to a different type using free software utilities available.

Generating Messages

In order to convert your message scripts into audio clips, you may choose to use text-to-speech software to help you. There are many choices available to you, but you should first understand why this may be useful for you.

You may decide that recording your own messages is unacceptable or that no one you know is able to do it. Regrettably, not everyone has a voice that others would like to hear. Another option to consider is to have your message clips generated by a computer program with a well-chosen voice.

Using text-to-speech (or TTS) software will require that you learn to use one or more computer programs. There are advantages in choosing this option in that you will not have to depend on yourself or others to record your messages.

The disadvantage is that you will have to understand how to use the programs to generate your audio messages in the best way possible. But this does not have to be difficult, and you may actually find this easy to do. Usually this involves simply inserting or pasting your message script and selecting how to generate the audio file.

There are free and not so free computer programs that are able to convert your message scripts into an audio format. Unfortunately, what is presently not free are the preferred voices used in doing this. The voices, also referred to as voice engines are large files (perhaps hundreds of megabytes) that contain rules and snippets of human speech that are used to convert the text into human sounding speech.

Your computer, if recent, will likely already have built-in text-to-speech capabilities and at least one voice engine installed. You should explore what these are and decide if there is a voice suitable for generating audio message clips.

The voices available may not sound acceptable and what you would prefer to use in your message tracks. You may need to purchase a premium voice from any of the available suppliers. These voices are very close to normal human speech and different genders and accents can be chosen from a wide selection.

An advantage in using TTS (Text-to-Speech) software is that it once you perfect the technique, there is no reason to record your own messages. But there is also one possible disadvantage that is only important if you decide to sell your recordings on a large scale (hundreds or even thousands of copies).

If you purchase a human sounding voice from such vendors as Cepstral, AT&T, NeoSpeech, Acapela, RealSpeak or others, there are important licensing issues to consider. Basically they will require that royalty fees be paid either upfront or periodically for each recording you sell, and this can involve thousands of dollars.

It is VERY IMPORTANT that you understand these before purchasing a voice and deciding to market your recordings. Licensing issues regarding text-to-speech voice engines are explained in greater detail in other articles.

In conclusion, you will need to decide what method is best for you in creating your message tracks. You have the option of recording them yourself, having others record it, or have it generated by computer software.

What you decide upon should be comfortable to you in every way and also the potential listeners that are waiting to hear you recordings. It is suggested that you experiment with recording your own message tracks, using others to record them, and explore the use of TTS technology before making your decision.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as online dating, paternity issues or insurance. Visit one of his websites relating to paternity testing at http://www.paternitytestinfo.net which provides help in confirming family genetic history and getting Home Testing kits for DNA.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

Choosing the length of a subliminal, supraliminal or paraliminal recording is an issue that is most often misunderstood. There are several topics related to this such as the length of the message script, message track and how they should be built. It is to your advantage and your potential listeners that you understand these issues before designing and building your recordings.

Each type of recording requires an audio message track which is created using the message script that you should already have written in the best way possible. There are other articles available that describe how to do this properly, and it is suggested that you read further about using the proper tense, permissive and directive statements, first and second person perspectives, avoiding negative words or phrases and various others.

Message Script Length

After the message script has been written and recorded or generated, it will usually be several minutes in length. This short audio message segment should be mixed repeatedly when building the final message track. You may have more than one if deciding to use both male and female voices.

Exactly how long this audio message segment is depends on how many message statements there are in the script and how they are recorded or generated. Your message script should include between 50 and 60 statements, and always be presented in a relaxing and calm voice.

Each statement will likely be about five seconds in audio length and this means that twelve statements could be created for each minute (5 seconds x 12 statements = 60 seconds). If there were 60 messages and each took five seconds then this would mean that that the message clip would be approximately five minutes in length (60 statements x 5 seconds = 300 seconds).

Message Track Length

However, a five-minute message segment is not long enough when creating any type of message track. The audio message clip will have to be repeated several times in order to build an audio message track that is approximately 30 minutes in length.

The short message clip that has been created will have to be sequentially mixed so that it reaches approximately 30 minutes. This means that if the original clip was 5 minutes in length, then 6 copies of them placed one after another would result in an audio message track that approaches 30 minutes in length.

If different voices were used in creating the message segments, then it is suggested to use them when mixing the final message track. For instance, if the same message script was used to record or generate audio segments with a male and then a female voice, you could build the message track by sequentially mixing the male voice segment followed by the female voice segment. This could be done repeatedly until the suggested length of 30 minutes is approximately reached.

An advanced strategy when mixing the message track is to present different message segments simultaneously in each of the left and right audio channels. This usually requires having already created message segments with both female and male voices. Instead of sequentially combining them, they would be inserted in parallel into the left and right audio channels. The advantage of doing so is that the listener will hear all the messages twice within the same length of time.

Repetition at the Subject Level

In order for a subliminal, supraliminal or paraliminal recording to achieve the target goal of introducing change to the subconscious mind, the messages provided must be repeated. This is done on different levels and it is important to both understand and accomplish this in the best way possible.

At the basic level, the message scripts you design will contain statements that are similar and address the goal desired. These could relate to success, fitness, relationships or any number of topics. The important point is that at the subject level, they target the same goal but from different perspectives.

For example, if the desired goal involved weight loss, there are several aspects to consider. This could involve proper eating habits, motivation to exercise, loving oneself and likely other issues.

Even though the statements will be different, they should be designed so that they address the same target issue but from different angles. This form of repetition at the subject level is extremely important and should always be a consideration when designing your message scripts.

Repetition at the Track Level

At the next level, these recorded or generated audio message statements will be combined when building the final message track. By doing so, another level of repetition is provided and this is accomplished by sequentially mixing the audio message segments or as suggested previously, combining them in parallel using both left and right audio channels.

The message segments you have recorded or generated should be mixed in the best manner to build the final audio message track. This may involve using different voices segments but regardless, the statements should be repeated several times as a group.

Repetition at the Listener Level

Once the audio message track has been built, there is only one more layer that involves repetition. This is up to the listener and how they decide to play the recordings that you have created for them. They can easily choose to set their playback device to repeat the recording and this should be suggested to them.

Although the length of the message track is recommended to be approximately 30 minutes, this can be increased if desired. However, this is not necessary because the messages presented are already repeated several times and the final recording can easily be set to play back continuously, perhaps even for many hours if preferred. Also, this represents only one listening session, and it is highly likely that the listener will be playing the recordings every day and possibly for weeks until the desired subconscious changes take effect.

A recording of greater length also requires additional storage space, and although this may not matter for a few recordings, it will have an impact if you are creating many recordings. Remember that it is necessary not only to store the final recordings, but each of the tracks used in building them as well as the audio message segments.

Sound and Brainwave Tracks

Once you have built the audio message track, the audio segments for sound or brainwave audio tracks will have to be created. Depending on the type of recording that you decide upon, it may require additional effort to either record or generate these.

The length of any additional sound or brainwave tracks should be dependent on the length of the final audio message track. If the final audio message track was built so that it was approximately 30 minutes in length, then the accompanying sound or brainwave tracks should be created so that they are also of the same duration.

The reason for doing this is to ensure that the final recording provides as many helpful messages as possible. If the audio message track was 30 minutes in duration but the accompanying sound or brainwave tracks were 35 minutes in length, this can be a potential problem.

In this case, there would be five minutes of time in the recording in which no messages would be presented to the listener. Other than having the effect of perhaps relaxing the listener, no messages would be presented and obviously have no effect in helping them.

You have many options when designing and building a subliminal, supraliminal or paraliminal audio recordings. One of the most important is deciding on the length of the recording. The duration of your final recording should be aligned with the initial message audio track and any or all of the additional sound or brainwave tracks. Doing this will only serve to help your listeners and increase the value that you receive from them.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as online dating, paternity issues or insurance. Visit one of his websites relating to paternity testing at http://www.paternitytestinfo.net which provides help in confirming family genetic history and getting Home Testing kits for DNA.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

The messages that are contained in a subliminal message track should be carefully designed before writing them and even recording a single word. It is to your benefit that you understand the best ways to do this. No matter how high the quality of the subliminal recording, if the messages are not designed properly they will be of little benefit to anyone.

Before thinking about the messages you wish to convey to the subconscious mind you should first consider the subject that you desire to see change in. Select the area that you are interested in and write down everything you like and also what you do not like about it as it relates to you.

If you are interested in making your body more fit and attractive then you should consider what it is that you do not currently like about your body. Make this your first list and afterwards, consider what you would prefer your body to look like and write a second list.

As an example, a list of some characteristics that you may not want with respect to your body could be as follows:

• I do not want to be overweight any longer
• I do not like being unattractive
• I am tired of being unable to fit into my clothes
• I do not like people looking at me with pity
• I do not want to eat unhealthy foods
• I do not like being unmotivated to exercise

Your second list or what you do want with respect to your body may be as follows: 

• I want to be slim and in great shape
• I want others to see me as an attractive person
• I want to enjoy wearing smaller dresses or pants
• I want people to look at and admire me
• I want to enjoy eating healthy foods
• I want to enjoy exercising

Review and refine your two lists several times until you end up with your lists being almost mirror images of each other. If you were to turn the things you do not want into positive statements, they should be very close to what you wrote in your second list or vice versa.

By doing this you are confirming to yourself what you really do and do not want, in this case the topic being about your body. Your list of what you do want should also bring a smile to your face as your read it. If any item does not then it is likely not very important to you and you may wish to rewrite it.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as online dating, paternity issues or insurance. Visit one of his newer website creations relating to pet insurance at http://petcarehealthinsurance.com/ which helps people select among the many Pet Insurance Companies available.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.