Subliminal, supraliminal or paraliminal audio recordings require creating a sound track.

The purpose of this audio track is either to mask  messages, promote a state of relaxation or potentially both.

This is extremely important in how the subsequent audio components are built and their effectiveness.

Since the sound or masking track is usually most audibly predominant in a recording, it is important to know how to create, select or generate one in the best way possible.

There are two basic ways to consider a masking or sound track. The first is from the listener’s perspective, and the second from the creator’s perspective.

Since you are the creator of the recording, it is vital that you understand both what a potential listener expects and prefers, as well as what your own requirements are for a masking or sound track.

Subliminal Sound Tracks – What the Listener Expects

The listener obviously expects that the recording will be of a high quality and be effective.

They are not concerned with the details of how it was created, but they will expect the masking or sound track that they hear be relaxing, soothing and appeal to them.

This means that as a recording creator, you must ensure that you meet these requirements. Unfortunately, what is relaxing, soothing and appealing to one person may be completely different for another person.

For example, the gentle sounds of ocean waves lapping onto the seashore with birds chirping in the background may be soothing to some, but may trigger a negative reaction in others.

Similarly, listening to the sounds of insects for an extended period may be quite unpleasant for certain individuals. To a lesser degree, classical music without vocals may simply sound uninteresting to some people.

The solution is to provide as wide a variety of masking or sound tracks as possible so that they appeal to the majority of the potential listeners. As simple as this may seem, it can difficult to do in practice. This is the point where the requirements of the listener meet yours, as a creator.

Sound and Masking Tracks – What the Recording Creator Desires

Being a creator of subliminal or other recording types, your preferences with respect to creating or selecting a masking or sound track are different than that of the listener. The most important of these are as follows:

• Provide the fewest number of masking or sound tracks possible
• Appeal to the largest number of listeners possible
• Whether obtaining or generating sound tracks, be of low cost

You can provide only a small number of masking or sound tracks and still have your potential listeners find them appealing.

But you must select a core group that has been found to be acceptable to most people. The majority of people find nature sounds or gentle classical music to be soothing, relaxing and appealing.

Within the category of nature sounds, there are the sounds of ocean waves, rainfalls, waterfalls, rivers, brooks, wind, a crackling campfire and many others.

It is suggested that you consider providing two or more different types that sound consistent, such as ocean waves and perhaps a gentle rainfall.

Secondary Masking Track Audio Sounds

Even though these are wise choices, a secondary sound track should also be mixed with them. The reason for this is to provide random sounds that render the track more interesting to the ear.

A suggestion is to include additional nature sounds such as different types of birds or insects. Relaxing and soothing is important, but there is no reason for the sound track to seem so consistent that it becomes boring to listen to.

If you were to choose two primary types of nature and two secondary types, then after mixing, you would have four available selections for use as your sound or masking track.

This should be your minimum core group to use, but if you increase the number of primary or secondary sound types, it becomes more difficult to manage and you should not exceed eight.

Keep in mind that this is only the sound or masking track, and you still need to create and manage message and brainwave tracks (if used).

Classical music sound tracks are also appealing but it is important that you choose those that are not overly dynamic.

By this it is meant that there should be few high and lows and the general sound and tempo is consistent.

A soft and gentle concerto by Beethoven or Bach is acceptable, but the 1812 Overture by Tchaikovsky is far too dynamic.

Also, if you choose to use classical music for your sound or masking tracks, there is no reason to mix them with a secondary track containing random sounds of nature.

The reason for this is that most classical music tracks are already reasonably consistent yet still sound interesting.

Sound Track Sources

As a recording creator, you also need to decide whether to obtain your sound or masking tracks from other sources, generate your own with software programs, record them yourself or perhaps a mixture of all three.

If you choose to obtain free sound clips or pay for pre-recorded sound tracks, you must be cautious in how you select them.

Many available relate to nature sounds and those that are free are usually very short in length and of poor quality.

It is highly recommended that you do not use free short audio clips in your sound or masking track because of this.

Although usually limited to nature sounds, another option is to obtain software that can generate sound or masking tracks of any length that you can customize in virtually an infinite number of ways.

The advantages to this is that the generated sound track will be exactly what you design it to be, involve no royalty fees, be of high quality, and never have embedded subliminal messages.

You may also select to record your own sound tracks but this can be somewhat of a challenge. It requires the correct environment, good recording equipment and some patience.

Whether it involves nature sounds or classical music, the sound or masking track that you incorporate into your subliminal, supraliminal or paraliminal recording should be acceptable to your potential listener and be within the limits of your resources as a creator.

You also need to decide if it is best to record your own sound tracks, use prerecorded ones or use software to generate them. Striving for a balance between what options you provide your listeners with and what is manageable for you should be your goal.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

Before you begin creating subliminals and mixing your message, sound, masking or brainwave tracks, it is important that you adopt standards with respect to their recording characteristics.

Each audio component should be digitally recorded in the same manner so that it is easier to mix your final recording and reuse them in future recordings.

Regardless of what method you use to create or mix the different audio clips needed for your recording, each has certain attributes relating to the digital audio file type, sample size, number of channels and the sampling rate.

Even if a recorded audio clip was not recorded digitally, it will have to be converted to digital and the same characteristics should be used.

Why Use Standards to Build Subliminal Recordings?

It requires effort on your part to create each audio component and mix them together so that you end up with the type of recording desired. By adopting standards you will exert less effort in creating your recordings.

The reason for this is it will not be necessary to convert each one into a common format before mixing them.

An advantage you gain by doing this is time and the disadvantage is that it may require additional storage space.

Given a choice between the two, and the continuing reduction in the cost of memory and storage devices, it is much more cost effective to adopt a standard format for each of your audio recording components.

There is another benefit in that when you decide to reuse an existing audio component, such as a message clip or brainwave track, you will not need to convert it before using it in a new recording.

Standards for Building Subliminal Audio Files

There are different file formats that can store digital audio clips, but the suggested one to use is the WAV format. This represents audio that is stored in an uncompressed digital format and is widely accepted.

Storing your recorded or generated audio segments in a compressed format such as MP3 is not initially recommended.

This should only be done after the final recording is built and only after careful consideration as to compression quality issues.

A WAV file is a digital representation of the audio clip, but an MP3, OGG or other compressed format is actually a data file that describes to a digital player how to play the file.

They are completely different and any compressed file will have to be converted back into WAV or another format in order for mixing.

Also, a WAV file retains the original audio characteristics of the clip, whereas a compressed version sounding virtually identical can result in a loss of audio information.

Each time you mix or combine different audio clips for your final recording, using compressed versions of them means that you are could be reducing the desired effect of your recording.

Using the WAV audio file type for all of your initial and intermediate recording components almost guarantees that the subliminal messages will be audible, and at the desired low level of volume.

If you were to compress each of your audio segments, then it is possible that you could lose some quality with respect to the subliminal messages as you progressively mixed the audio components together.

Audio Digital Sampling Rates and Sample Size

A standard music CD or Compact Disc is a digital representation of the original and attempts to reproduce it in the best way. This is done by sampling the original analog recording at extremely frequent intervals and converting those samples into numbers that a computer sound processor can understand and reproduce.

In order to achieve the best sounding digital recording, both the number of times per second the recording is sampled and the size of the sample are important.

For a CD recording, the sample rate is 44,100 times per second (44.1 KHz) and each sample represents a number.

That number can have approximately 64,000 different values and is stored as a 16 digit binary number.

It is suggested that you use the same sample rate and sample size when creating each of your recording audio segments. This will prevent any loss of quality as you progress to mixing your final recording.

Even though it may seem to be inefficient to store your recording segments using these attributes, it is likely to your benefit. The additional sound, masking or even brainwave audio tracks must be recorded at a high standard.

Since you will have to eventually mix all of these components together, adopting a standard format will save you time.

Using Mono or Stereo Audio Channels

It is tempting to record or generate all your message, masking, sound or brainwave tracks using either one or two sound channels, but this should depend on the nature of the individual recording component.

Using both left and right channels for any audio segment of your recording means that it will require double the amount of storage space.

Only certain tracks or mixtures of them should be built in stereo. For audio message clips, it is suggested that they be created only using one track.

The reason for doing this is that they may be later mixed in different manners for another recording. You may choose to build an audio message segment using both left and right channels for one of your recordings.

If recorded in mono, then you can easily later combine them in any way desired, but if they were in stereo, then you would have to separate them. Doing this would only add additional effort to what you want to accomplish.

The secondary advantage is that mono recording segments use only half as much storage as stereo audio segments.

To summarize, using a standard set of characteristics when creating your subliminal, supraliminal or paraliminal recordings will save you time and reduce any effort involved in converting between different audio formats.

It will also enable you to reuse any of the audio clips that you have already created and may desire to use in creating a new recording.

The standards you may wish to adopt when creating your recording components are suggested as follows:

• Record basic and intermediate audio segments in the WAV format
• Suggested digital sample size should be 16-bits
• The preferred sample frequency is 44,100 Hz.
• Basic audio message segments should be recorded in mono

Following these suggestions should only help you to create better recordings, but more importantly to save storage space and to organize your audio recording components more efficiently.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

One of the most important aspects when creating either a subliminal, supraliminal or paraliminal audio recording is to ensure that the volume or amplitude of the message, sound, masking or brainwave tracks be set at the correct level. This article discusses what these levels should be and why the quality of your recording depends on it.

Although not exactly the same as loudness, amplitude is closely related to it and is measured using the decibel scale. Once you have created the supporting tracks to be used in the final recording, the amplitude or decibel level of each will have to be adjusted before mixing the tracks together. How this is done is dependent on the type of recording and is completely different for subliminal, supraliminal and paraliminal recordings.

Subliminal Recordings and Amplitude

By definition, a subliminal recording is a mixture of two audio tracks, one presenting the message statements and a second that acts as a masking track. The messages must be perceptible by the brain, but not quite audible to the conscious mind. The masking track is completely audible and also acts to make the recording sound more interesting to the ear.

When you first build the audio message track, it should be at a normal level of volume and this is necessary in order to verify that the message statements have been created properly. It is also important that whether you record your own message statements or generate them using text-to-speech software that they sound consistent.

By consistent it is meant that the amplitude or loudness of each statement be at the same level. Also, the speed and manner in which the message statements are presented should be reasonably slow and sound calm and relaxing. The best strategy when creating the message track is to pretend that you are talking to a young child.

The masking audio track should also be consistent and be relaxing to the listener. Sound clips that are erratic in volume and have many highs and lows in loudness are not recommended in any way. Using relaxing music or nature sounds is a much better choice.

Once you have built both the audio message and masking sound tracks and are satisfied with them, you will have to consider adjusting their level of volume or amplitude before mixing them together to create the final recording. The difference in amplitude between the message track and the masking track should be approximately 15 decibels, but this can vary either way by several decibels.

A common mistake made by people new to creating subliminal recordings and unfortunately even some companies that sell them is that they reduce the amplitude of the message track by too large a degree. Instead of reducing it by 15 decibels, it may be lowered it by as much as 30 to 40 decibels. In doing so, they may make the message statements physically inaudible and effectively render the final recording useless.

The software program you choose in mixing your message and masking tracks will provide you with the ability to adjust amplitude levels and it may take repeated attempts before you arrive at just the right sound levels. Even though the software is precise in how this is done, the best judge should still be your ears.

It is suggested that you listen to each track and the potential final mixed recording repeatedly until you are satisfied that the messages can be heard and that they are not overwhelmed by the masking sound track. It will likely be necessary to greatly increase the volume of the sound system of your computer in order to do this.

Supraliminal Recordings and Amplitude

With a supraliminal recording, both the message track and the accompanying sound track are designed to be completely audible. It is also important that the message track include a short initial segment designed to relax the body and optionally, the mind of the listener.

But even though both the message and accompanying sound track should be audible, it does not mean that they should be mixed at the same level of amplitude. This is an often overlooked point when building supraliminal recordings.

As with a subliminal audio recording, both the message and sound tracks should be created in the best way possible. Aside from the additional introductory relaxation segment in the message track, there is no difference between a subliminal and supraliminal recording except for the amplitude levels of the supporting audio tracks.

How they are mixed is important and it is suggested that you adjust the amplitude of each track appropriately. If you have created both the message and sound tracks properly, then they should each be consistent in how they sound. They will likely be at approximately the same level of amplitude or loudness.

But before mixing the message and sound tracks together it is advised that you adjust the amplitude of the message track. The message statements should be audible, but they should seem almost like someone was politely and calmly speaking to you as you were falling asleep.

If the message track was created by applying the guidelines suggested previously for subliminal recordings, then it should be calm, relaxing and consistent. The same principles apply to the sound track that you decide to include in the final recording.

For a supraliminal recording the message track should be reduced in amplitude by approximately 5 decibels. The reason for doing this is so that even though both the message and sound tracks are audible, the message track will sound more comforting to the listener at slightly lower amplitude.

Paraliminal Recordings and Amplitude

A paraliminal recording is considerably different than a subliminal or supraliminal recording. It normally includes three or more different audio tracks instead of the two that are commonly used in subliminal or supraliminal recordings. The additional track included is a brainwave track and it is designed to induce a relaxed mental state by using binaural tones.

The brainwave track must be created using two channels or in stereo because it is usually necessary to present different sound frequencies to each ear in order to achieve the desired effect. The desired effect is to induce a state of mind so that the listener experiences an alpha, theta or delta brain experience. By doing so, the listener becomes more receptive to the message statements presented in the audio message track.

Each of the other audio tracks must also be created in stereo, because if one must be in stereo then the others must also be built in the same manner. The tracks included in the final recording must always be built using two channels.

The three tracks required, message, sound and brainwave, should also be adjusted with respect to their amplitude before mixing the final recording. The audio message track should be slightly lower in amplitude than the sound track by approximately 5 decibels.

The brainwave track should be slightly be above audible perception and be at least 20 decibels lower in amplitude than the sound track. The reason for doing this is that the binaural tones presented in the brainwave track can become irritating to the listener and there is no benefit in doing so.

Again, the best way to judge the volume or amplitude levels of each of the recording components is to listen carefully before you decide to mix them together.

In conclusion, it is highly important that you mix each of your supporting audio tracks in the best way possible. Part of this involves adjusting the volume, loudness or amplitude of them before attempting to mix them together when creating your final recording. Doing this may require additional time, but it is usually worth the effort involved and likely that the recordings you create will be more satisfying to your listeners.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as online dating, paternity issues or insurance. Visit one of his newer website creations relating to pet insurance at http://petcarehealthinsurance.com/ which helps people select among the many Pet Insurance Companies available.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

Before beginning to design and create subliminal, supraliminal or paraliminal audio recordings, you should be certain that you have the minimal suggested hardware components to do so.

Most currently available laptop and desktop computers are more than likely to have the capabilities necessary.

Even so, it is still important to review the recommendations provided, and this especially holds true if you are considering purchasing a new computer to focus on designing and building self help audio recordings of any type.

Understanding this before you begin can prepare you and avoid potential problems and frustrations. If you are a power user and have a computer system that is relatively new, then you can likely skip this article and consider reviewing an equally important topic related to software requirements for creating subliminal recordings.

The basic computer hardware requirements necessary to be able to create subliminal audio recordings are grouped in the following categories: 

• CPU and Memory
• Disk Storage Devices
• Audio Subsystem
• External Speakers and Headphones
• External Recording and Playback Devices
• CD and DVD Recording Devices
• Microphones

CPUs and Memory

Regardless of the computer system you are using, it should have a powerful enough central processing unit (CPU) to be able to handle the tasks involved in building your recordings.

Faster is always better because it will take less time to perform the audio tasks necessary such as extraction, creation, editing, generation, compression and most importantly, mixing.

Multiple processing cores and hyper-threading also help in all of these tasks and a new machine will likely have such features.

This does not suggest that a less recent computer with a slower CPU will prevent you from creating subliminal or other audio recordings. It only means that some of the process intensive tasks involving manipulating audio tracks may take more time to complete.

As a consequence, performing other tasks at the same time may be more difficult to do with a slower CPU. If you have an older computer and patience, then the speed of the CPU may not make a difference to you. However, at a minimum, the speed of the CPU should be at least 2 Gigahertz.

Equally important is having a sufficient amount or random access memory (RAM) in your computer. Having more is always more beneficial and a suggested minimum is 2 or more Gigabytes. You can usually add more memory to your computer system and this will only be to your advantage.

Disk Storage Devices

In addition to being able to quickly manipulate the audio segments of any recording, you will also need to store them on a local or attached disk drive.

How much disk storage space is required depends on how many recording components you build and how large they are.

As a reference, consider any standard audio music CD you may already have acquired. Each minute of uncompressed CD-DA (Compact Disc Digital Audio) at the standard 16-bit stereo sampling rate of 44.1 kHz requires approximately 10 megabytes of storage space.

An average such CD would contain roughly 64 minutes of dedicated music for a raw total of 650 megabytes. The actual amount (about 720 megabytes) is higher because of time gaps between tracks and the use of error correction to compensate for flaws and skips in the physical CD media.

When creating subliminal or other similar recording types, there are different steps involved and each requires storage space. The more disk storage space you have the better, but it is also possible to back them up to either a recordable CD or DVD.

Another option to consider is connecting an additional external USB disk drive or solid state device (SSD) to your computer; the latter is more expensive, but significantly faster when managing large audio files.

Audio Sound System

Virtually all modern day computer systems provide the ability to record and present audio in different manners. If a music CD or movie DVD can be played on your computer to your satisfaction, then you likely have what is required and perhaps more.

Although a simple concern, it is important that stereo capability be provided by the audio subsystem and the ability to be controlled by software if possible. It will likely be necessary to adjust sound system controls so that they are in harmony with the method used in dealing with the audio segments for the recordings.

External Speakers and Headphones

If you have a desktop computer with speakers built-in to the attached monitor or imbedded in a laptop computer, you may wish to consider obtaining external speakers.

The reason for doing this is that if the speakers are too close to each other then you may find it more difficult to recognize the differences between the left and right stereo channels during the playback of your recordings.

A quality pair of stereo headphones is also strongly suggested for listening to and verifying the quality of each recording or its components. Having a choice between using separate external speakers and a stereo headset is advisable.

These components are readily available and at reasonable costs and should not be difficult to acquire.

External Recording and Playback Devices

You may need to use an external audio cassette player to import sound tracks into your computer. This may be necessary if you find suitable sound tracks that are only available on audio cassettes.

In order to do this you need an audio cassette player with stereo output and a patch cable to connect these devices to the input of the computer audio system. One end connects to the output of your portable device and the other plugged into the input of your audio sound card (e.g. line-in).

CD, DVD and other Recording Devices

Most recent computers have one CD/DVD drive and perhaps a combined or separate CD/DVD burner.

If you wish to create your recordings on CDs then you will need this capability. Two devices (both player and burner) are better than one since it can be easier to duplicate finished recordings on CDs.

You can use blank DVDs of various types to produce your recordings but CDs are a simple choice and most existing computer or audio equipment can play audio CDs if created in the correct format.

Producing a recording that more people are capable of listening to is always a better choice.

Microphones

An external microphone of good quality is necessary if you decide to record your own subliminal tracks which contain the subliminal messages.

You can choose a standalone microphone that sits on a desk, a microphone-headset combination, a clip-on microphone and various others.

The most important aspect is that it permits you to comfortably record your vocal messages in a consistent manner.

If you use a desktop microphone, then you will have to maintain a constant distance between it and your mouth.

This may be difficult and uncomfortable for some people to do, especially if it takes 5 minutes or more to create a recording. This also holds true for built-in microphones in laptop computers.

A clip-on or combination headset-microphone allows you to keep this distance constant. Whichever one you obtain, try to perform multiple tests as to its quality, the quality of your voice and the quality of the recording. Your ears should be your best judge, so listen repeatedly until you are satisfied with the result.

To conclude, it is important that your computer system be capable in helping you creating recordings. The computer that you use should have the power to assist you in doing this, but equally important is that you have the knowledge to do this.

Whatever computer system you decide to use in building subliminal, supraliminal or paraliminal recordings, it needs to have the power and capabilities to create your recordings in the best way, and ideally in less time.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.

A masking or accompanying subliminal sound track is important for any type of subliminal, supraliminal or paraliminal recording.

Theese can be recorded, obtained for no, little or some cost and also be generated.

This article focuses on generating these subliminal masking sound tracks and provides guidelines as to how to do this in the best manner.

If you decide to generate your sound or masking tracks you will need the basic knowledge as to what to do and in the proper way.

It is necessary that you first consider what is most desired in the sound or masking audio track.

Also important is the software program chosen and the features that it should have.

Sound Track Features

The sound track that you create should be relaxing and soothing and also be consistent in how it sounds.

Software programs can generate these sound clips if you understand what the target characteristics are.

The preferred choice is to use sounds of nature and be able to generate and adjust them in a suitable way.

Nature sounds are highly appealing and the variations of them can be almost infinite.

There are choices with respect to the sound of rainfalls, waterfalls, babbling brook, thunderstorms, gentle rain, windstorms, and many others.

You should seek to create a small library of reusable and different sounding nature audio clips if possible.

You should also be able to choose secondary sounds so that your masking or sound track is more appealing.

Gentle ocean waves can be relaxing, but using them exclusively can make the sound track seem repetitive and somewhat boring.

Including secondary and random sounds of nature will only serve to make the sound segment seem more appealing to listeners.

Random sounds of birds or insects render the sound clip more interesting to listen to.

Ideal Sound Characteristics

In addition to how the generated audio sounds to the ear, it is also important that it have certain physical characteristics.

The most important of these is that it is possible to save the generated output file in the WAV format. Other compressed formats such as MP3 or OGG are preferable, but not necessary.

Although the WAV output file is larger than a compressed format, using it makes it easier to mix the sound track with other tracks to build the final recording.

There should also be considerations for the audio output sample rate, sample size and the number of channels.

The ideal frequency sampling rate should be 44,100 Hz, the sample size 16-bit and created using one or two channels.

These settings are desirable for all audio recording components because it provides a common standard and avoids conversion issues when mixing audio segments.

Ideal Software Program Features

Ideally, a program chosen to generate sound clips to use in a recording would have certain features, but this may not always be possible. A list of desirable features would be as follows:

• Available for most operating platforms
• Have no cost or a reasonable cost
• Trial version available
• Easily downloadable
• Easy to use graphical interface
• Include basic nature sound templates
• Allow secondary random sounds to be used
• Full documentation and help available
• Allow generated audio output saved in WAV format
• Permit control over physical audio characteristics
• Allows control over length or size of generated recording
• Provides controls for adjusting recording levels
• No royalty payments required

Of the programs available that can generate sound clips, most usually focus on either nature sounds or brainwave sounds.

There are a greater number of software programs capable of generating brainwave tracks then there are those dedicated to generating nature sounds. The discussion of programs that can generate brainwave entrainment or binaural sounds is provided in a different article.

An important consideration when selecting a software program is to be able to generate nature sound clips without being charged royalty fees or additional licensing fees. This can be significant if you decide to market and sell your final recordings.

Recommended Software

One of the most popular software programs available for generating sounds of nature is Atmosphere Deluxe. It meets most of the desirable characteristics, but not all. Regrettably, it is only provided for the Windows platform. A free trial version is available and you may wish to download and test it. Below is a screenshot of Atmosphere Deluxe.

There are three different versions of this program available: Atmosphere Lite, Atmosphere Lite Plus and Atmosphere Deluxe. Atmosphere Lite is completely free of charge but has limited features.

Atmosphere Lite Plus is the midrange version and comes with additional sounds and features. Atmosphere Deluxe is the fully featured version and provides extra features and sounds that are more realistic.

All three are available for download and the Atmosphere Lite version has no usage restrictions. The Lite Plus and Deluxe versions are available as 21 day fully functional trial downloads and have a cost of $19.95 USD and $34.95 USD respectively.

The graphical interface is easy to use, basic nature sound templates (or presets) included, and random secondary sound control provided. Full documentation and online help is also available.

The generated output file can be saved as a WAV file or converted into the MP3 format, although this is not recommended. The physical characteristics of the output audio are also controllable.

It is also possible to control the length of the generated audio output in terms of physical file size or time duration, and the audio levels of the selected recording device to use. This is highly important if you require the sound segment to be of a specific time length.

There are no royalty fees involved when using either version of Atmosphere, but it may be necessary to purchase a commercial license. This is only important if you decide to use the generated audio sounds in your recordings and sell them. If your recordings are only for personal use then it is not necessary to purchase a commercial license.

The cost for obtaining a commercial license for the full version, or Atmosphere Deluxe is approximately $98 USD. This permits you to generate audio segments to be used in the final subliminal, supraliminal or paraliminal recording at no additional charge and sell them in any way chosen without royalty costs.

Even if you decide that the Atmosphere software is not suitable for your purposes, it is worthwhile to at least experiment with this program and you can obtain the software from www.relaxingsoftware.com.

To conclude, you have different options available with respect to creating a masking or sound track. Using sounds of nature that are generated by a computer program is an excellent choice if you understand what is required.

About the Author

James Kudlak specializes in writing articles and building websites across a variety of topics such as paternity issues or insurance. Visit one of his newer website creations relating to pet insurance at http://petcarehealthinsurance.com/ which helps people select among the many Pet Insurance Companies available.

(c) Copyright – B. James Kudlak. All Rights Reserved Worldwide.